When the Only Cure for Motion Sickness is to Keep Moving
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subtitle: A Travelog of Angels in America
This channel houses the six episodes of Zoe Wilson's culminating thesis in ENLS. Episodes 3, 4, and 5 summarize key changes made to the text of Angels in America: A Gay Fantasia on National Themes through its early production history (1987-93). Many of the scenes which are analyzed do not appear in published versions of the play or versions performed now, but they can still dramaturgically inform our readings and productions today. Further acknowledgements can be found at the conclusion of Episode 1.
This channel houses the six episodes of Zoe Wilson's culminating thesis in ENLS. Episodes 3, 4, and 5 summarize key changes made to the text of Angels in America: A Gay Fantasia on National Themes through its early production history (1987-93). Many of the scenes which are analyzed do not appear in published versions of the play or versions performed now, but they can still dramaturgically inform our readings and productions today. Further acknowledgements can be found at the conclusion of Episode 1.
subtitle: A Travelog of Angels in America
This channel houses the six episodes of Zoe Wilson's culminating thesis in ENLS. Episodes 3, 4, and 5 summarize key changes made to the text of Angels in America: A Gay Fantasia on National Themes through its early production history (1987-93). Many of the scenes which are analyzed do not appear in published versions of the play or versions performed now, but they can still dramaturgically inform our readings and productions today. Further acknowledgements can be found at the conclusion of Episode 1.
This channel houses the six episodes of Zoe Wilson's culminating thesis in ENLS. Episodes 3, 4, and 5 summarize key changes made to the text of Angels in America: A Gay Fantasia on National Themes through its early production history (1987-93). Many of the scenes which are analyzed do not appear in published versions of the play or versions performed now, but they can still dramaturgically inform our readings and productions today. Further acknowledgements can be found at the conclusion of Episode 1.